
This poem still needs a name, but I don't want to give it one
November 19, 2025
by Mark Bowser
Her son begins the outline of a lamb
and cautions us to keep it as a secret,
his fist clenched round the nubbins of a crayon.
His mother leans back with a knowing grin.
She’s studying her oldest who when
standing on her toes reaches barely to the chin
of what her parents calculate her worth to be,
as roughly sketched by passes at “I love you,”
and “I love you,” bottled up and knocked against the knees
of “I know, mom” and “I know.” She just turned eight
and skips off down the stairs to find her father,
looking for the hands that match the smile she creates
She squeezes her eyes tight and wraps her arms around his waist
who yields up the stiff circle of a hug
he’d never learned to make
You may also Be interested in:

Dear you know who you are
Entry #1 Sometimes missing you makes me really hate Target And it sucks to hate Target because Target is well, pretty awesome. But it looks identical everywhere in the world

The Man & the Log
When I first saw the log that was to become my next mission in the wood shop, it had been sitting in the yard for over two years. Neglected and

“Weep no more, woful Shepherds weep no more” : Milton’s Lycidas and the Moment of Moriens
An exciting new reading of John Milton's Lycidas, examining the mysteries of interruption in the middle of the poem. This study looks at Milton's poem with a theological lens, taking into account early modern cultural implications surrounding death. Sarah Bartlett has an MA from East Carolina University, with a concentration on early modern studies.

Of Absent Presences: Shakespeare’s Revenant Sonnets and The Tower of London
This essay explores how a reading of Shakespeare's sonnets set in the Tower of London ameliorates an understanding of Shakespeare's writing and his world. Sarah Bartlett has an MA from East Carolina University, with a concentration in early modern British Literature. Her studies focused on the works of Shakespeare, Donne and Milton.

Of “Coming to be and passing away”: Aristotelian Influence in Donne’s "Ayre and Angells”
This study examines Donne's work from an Aristolelian, alchemcial lens, educating the reader on the science practiced in Europe in the early modern period. Sarah Bartlett has an MA from East Carolina University, with a concentration in early modern British Literature. She served as a research assistant for the Donne Variorum for three years, during which time she began a six year journey undertaking a study of Donne's enigmatic and chimeric poem, Air and Angels.